Archives for posts with tag: hand spun

 

weaving, wool

JUST cut off the loom in time for the guild meeting.

In an earlier post I was fretting over a looming deadline and a skein of yarn.  http://wp.me/p4CcBZ-4

Once I had chosen a palette and yarns from my stash I had to decide what I would weave… a shawl, a scarf, a blanket? I decided a large shawl would be a safe bet and an interesting project. I was pretty sure I had enough yarn.

I used my warping board instead of the mill, winding three small warps of varying sizes. It was my intention to create a harmonious blend without being totally symmetrical. There are lots of subtle shifts of colour.

I pre-sleyed a 6 dent reed and intended to use a jerry rigged trapeze to wind the warp on to the back beam but discovered to my amusement, my clever gizmo was at the wrong end of my loom! Sometimes I just crack me up!

Winding it on, I was falling in love with the colour and pattern but a thought was niggling at me. I felt I wanted a twill, nothing too complicated to overpower the warp, especially since my weft was a deep, rich brown. What to choose?

I decided on a 2/2 twill on 4 shafts. It was a simple straight draft. Great! But did I do that? Nope. I threaded the treadling. It wasn’t on purpose but it was a happy accident because I treadled the threading which made the tie up MUCH simpler. Side Note: The tie up is my least favourite task. The simpler it is, the less time I spend in contortions under my loom!

weave structure

A twill with a difference. I reversed the threading and treadling

The last step prior to weaving was to sley my intended reed and tie on the front beam. I did the math and decided on a 10 dent reed as the appropriate choice. When I was approximately half way across I could see the reed was too coarse. I tried to cheat by shifting its’ position in the beater, but who was I kidding? After threading a few more dents I could see I solved exactly nothing and pulled out the reed. Rather than go with a 12 DPI reed, I used my 6 DPI again, sleying 2 ends per dent. I felt the 6 would be kinder on the hand spun. It was a good decision as my warp was now running in a straight line from back to front beam and only one thread broke at the end of my weaving.

detecting weaving errors

After transferring the cross from front to back I could see a few threads that were not captured in the cross. Fixing them now saves heart ache later.

And that looming deadline? Did I make it? Just by the skin of my teeth!

I cut the fabric off the loom at 6:03 PM. Elizabeth picked me up at 6:05 PM and I proudly arrived at the guild pot luck with my project… but left my contribution in the fridge.

*slaps forehead with hand*

What’s my take away from this project?

  1. When working to a deadline, keep things simple. I put the complex part in the warp, not the weaving.
  2. Don’t cut corners. I fixed the problems prior to weaving.
  3. I really enjoy improvising!

The Skein

The clock read 5:09 AM. I was awake and thinking about a single skein of yarn. I’m reading your mind – you think I’m very disturbed!

This is the story. Back in December of last year my guild, the Etobicoke Handweavers and Spinners Guild had a challenge – bring a skein of yarn from your stash and choose one donated by another member. The challenge? Weave a project using that skein and ONLY yarn from my stash and present the finished project at our June meeting, the last meeting of the year.

So far so good except, as you can see, the wee skein is still a skein and the months and days have flown by. I have three weeks to do this.

As the birds woke up I pondered my stash and thought the perfect yarns to complement this skein are probably living among my hand dyed and hand spun yarns.

I’ve pulled together a selection that could work: 2 skeins of hand spun wool and mohair in a heathered pink, 2 skeins of hand spun brown Shetland wool that I over dyed with cochineal ( I also over spun it to create a bouclé yarn) and 2 skeins of commercially spun yarn dyed with logwood.

The Palette

I like this palette but will wait until tomorrow night to wind the warp ~ This evening I’m off to the Japan Foundation to enjoy “Kigami and Kami-ito: A slide lecture and paper thread-making demonstration by Hiroko Karuno”